s sulochana rengachari t s eliot hamlet and his problems an analysis

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Daridra Narayana

Author : Mahatma Gandhi
ISBN : UCAL:B3862834
Genre : Food supply
File Size : 69. 17 MB
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Coleridge

Author : Samuel Taylor Coleridge
ISBN : UCSC:32106013450371
Genre : Literary Criticism
File Size : 85. 97 MB
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Village Swaraj

Author : Mahatma Gandhi
ISBN : UCAL:$B180381
Genre : Community development
File Size : 70. 3 MB
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Autobiography

Author : James Olney
ISBN : 9781400856312
Genre : Biography & Autobiography
File Size : 57. 99 MB
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Professor Olney gathers together in this book some of the best and most important writings on autobiography produced in the past two decades. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Dread Departure

Author : Satīśa Āḷekara
ISBN : 817046059X
Genre : Drama
File Size : 63. 23 MB
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In an unusually irreverent text that plays with the traditional Marathi musical mode of the mourning keertan and the theme of death, Satish Alekar s The Dread Departure tells the story of a dead man who will be cremated the way he wants to be and no other way. He lives on as a dead man till he stinks and his son battles with the civic authorities to honour his father s last wishes, while his widow gets enamoured of a ghostly lover, the third man from the left of the pall bearers. The play has a rich dose of black humour, pure fun, and the sense of a community coming to terms with death.

In Theory

Author : Aijaz Ahmad
ISBN : 0860916774
Genre : Literary Criticism
File Size : 67. 36 MB
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After the Second World War, nationalism emerged as the principle expression of resistance to Western imperialism in a variety of regions from the Indian subcontinent to Africa, to parts of Latin America and the Pacific Rim. With the Bandung Conference and the formation of the Non-Aligned Movement, many of Europe's former colonies banded together to form a common bloc, aligned with neither the advanced capitalist "First World" nor with the socialist "Second World." In this historical context, the category of "Third World literature" emerged, a category that has itself spawned a whole industry of scholarly and critical studies, particularly in the metropolitan West, but increasingly in the homelands of the Third World itself. Setting himself against the growing tendency to homogenize "Third World" literature and cultures, Aijaz Ahmad has produced a spirited critique of the major theoretical statements on "colonial discourse" and "post-colonialism," dismantling many of the commonplaces and conceits that dominate contemporary cultural criticism. With lengthy considerations of, among others, Fredric Jameson, Edward Said, and the Subaltern Studies group, In Theory also contains brilliant analyses of the concept of Indian literature, of the genealogy of the term "Third World," and of the conditions under which so-called "colonial discourse theory" emerged in metropolitan intellectual circles. Erudite and lucid, Ahmad's remapping of the terrain of cultural theory is certain to provoke passionate response.

After Amnesia

Author : G. N. Devy
ISBN : UOM:39015037341263
Genre : Criticism
File Size : 22. 65 MB
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After Amnesia is an original analysis of literary criticism in India. It is an attempt to describe what is recognised by common agreement to be a crisis in Indian criticism, and to explain it in historical terms. Dr Devy argues that the colonial experience in India gave rise to false images of the West as a superior culture; and induced a state of cultural amnesia and mistaken modes of literary criticism. It is this amnesia that is responsible for the belief among literary historians that the critical tradition in the modern Indian languages for instance, Gujarati and Marathi is only over a hundred years old. The author argues that it is inconceivable for these languages to have produced great literatures for half a millennium without developing some form of literary criticism. Therefore, he says, it is necessary to postulate a more reliable literary history.

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