picturing the book of nature image text and argument in sixteenth century human anatomy and medical botany

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Picturing The Book Of Nature

Author : Sachiko Kusukawa
ISBN : 9780226465296
Genre : History
File Size : 83. 14 MB
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Because of their spectacular, naturalistic pictures of plants and the human body, Leonhart Fuchs’s De historia stirpium and Andreas Vesalius’s De humani corporis fabrica are landmark publications in the history of the printed book. But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine. Sachiko Kusukawa examines these texts, as well as Conrad Gessner’s unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this period—a visual argument for the scientific study of nature. To set the stage, Kusukawa begins with a survey of the technical, financial, artistic, and political conditions that governed the production of printed books during the Renaissance. It was during the first half of the sixteenth century that learned authors began using images in their research and writing, but because the technology was so new, there was a great deal of variety of thought—and often disagreement—about exactly what images could do: how they should be used, what degree of authority should be attributed to them, which graphic elements were bearers of that authority, and what sorts of truths images could and did encode. Kusukawa investigates the works of Fuchs, Gessner, and Vesalius in light of these debates, scrutinizing the scientists’ treatment of illustrations and tracing their motivation for including them in their works. What results is a fascinating and original study of the visual dimension of scientific knowledge in the sixteenth century.

Picturing The Book Of Nature

Author : Sachiko Kusukawa
ISBN : 9780226465289
Genre : History
File Size : 78. 68 MB
Format : PDF, ePub
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Because of their spectacular, naturalistic pictures of plants and the human body, Leonhart Fuchs’s De historia stirpium and Andreas Vesalius’s De humani corporis fabrica are landmark publications in the history of the printed book. But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine. Sachiko Kusukawa examines these texts, as well as Conrad Gessner’s unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this period—a visual argument for the scientific study of nature. To set the stage, Kusukawa begins with a survey of the technical, financial, artistic, and political conditions that governed the production of printed books during the Renaissance. It was during the first half of the sixteenth century that learned authors began using images in their research and writing, but because the technology was so new, there was a great deal of variety of thought—and often disagreement—about exactly what images could do: how they should be used, what degree of authority should be attributed to them, which graphic elements were bearers of that authority, and what sorts of truths images could and did encode. Kusukawa investigates the works of Fuchs, Gessner, and Vesalius in light of these debates, scrutinizing the scientists’ treatment of illustrations and tracing their motivation for including them in their works. What results is a fascinating and original study of the visual dimension of scientific knowledge in the sixteenth century.

Early Modern Color Worlds

Author : Tawrin Baker
ISBN : 9004316582
Genre : History
File Size : 88. 39 MB
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Many challenges hinder the historical study of early modern color. These essays offer a way forward through the category of 'color worlds'--constituted by practices, concepts and objects--and examine the emergence of the languages and objects used to communicate between them.

Virtuoso By Nature

Author : Tim Birkhead
ISBN : 9004285318
Genre : Science
File Size : 54. 73 MB
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Francis Willughby, together with John Ray revolutionized the study of natural history. Together they were motivated by the new philosophy of the mid 1600s and transformed natural history in to a rigorous area of study. Because Ray lived longer and more of his writings have survived, his reputation subsequently eclipsed that of Willughby. Now, with access to previously unexplored archives and new discoveries we are able to provide a comprehensive evaluation of Francis Willughby’s life and works. What emerges is a polymath, a true virtuoso, who made original and imaginative contributions to mathematics, chemistry, linguistics as well as natural history. We use Willughby’s short life as a lens through which to view the entire process of seventeenth-century scientific endeavor.

Full Body Burden

Author : Kristen Iversen
ISBN : 9780307955647
Genre : Biography & Autobiography
File Size : 77. 74 MB
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Full Body Burden is a haunting work of narrative nonfiction about a young woman, Kristen Iversen, growing up in a small Colorado town close to Rocky Flats, a secret nuclear weapons plant once designated "the most contaminated site in America." It's the story of a childhood and adolescence in the shadow of the Cold War, in a landscape at once startlingly beautiful and--unknown to those who lived there--tainted with invisible yet deadly particles of plutonium. It's also a book about the destructive power of secrets--both family and government. Her father's hidden liquor bottles, the strange cancers in children in the neighborhood, the truth about what was made at Rocky Flats (cleaning supplies, her mother guessed)--best not to inquire too deeply into any of it. But as Iversen grew older, she began to ask questions. She learned about the infamous 1969 Mother's Day fire, in which a few scraps of plutonium spontaneously ignited and--despite the desperate efforts of firefighters--came perilously close to a "criticality," the deadly blue flash that signals a nuclear chain reaction. Intense heat and radiation almost melted the roof, which nearly resulted in an explosion that would have had devastating consequences for the entire Denver metro area. Yet the only mention of the fire was on page 28 of the Rocky Mountain News, underneath a photo of the Pet of the Week. In her early thirties, Iversen even worked at Rocky Flats for a time, typing up memos in which accidents were always called "incidents." And as this memoir unfolds, it reveals itself as a brilliant work of investigative journalism--a detailed and shocking account of the government's sustained attempt to conceal the effects of the toxic and radioactive waste released by Rocky Flats, and of local residents' vain attempts to seek justice in court. Here, too, are vivid portraits of former Rocky Flats workers--from the healthy, who regard their work at the plant with pride and patriotism, to the ill or dying, who battle for compensation for cancers they got on the job. Based on extensive interviews, FBI and EPA documents, and class-action testimony, this taut, beautifully written book promises to have a very long half-life.

Views Of Nature

Author : Alexander von Humboldt
ISBN : 9780226923192
Genre : Science
File Size : 57. 49 MB
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While the influence of Alexander von Humboldt (1769–1859) looms large over the natural sciences, his legacy reaches far beyond the field notebooks of naturalists. Humboldt’s 1799–1804 research expedition to Central and South America with botanist Aimé Bonpland not only set the course for the great scientific surveys of the nineteenth century, but also served as the raw material for his many volumes—works of both scientific rigor and aesthetic beauty that inspired such essayists and artists as Emerson, Goethe, Thoreau, Poe, and Frederic Edwin Church. Views of Nature, or Ansichten der Natur, was Humboldt’s best-known and most influential work—and his personal favorite. While the essays that comprise it are themselves remarkable as innovative, early pieces of nature writing—they were cited by Thoreau as a model for his own work—the book’s extensive endnotes incorporate some of Humboldt’s most beautiful prose and mature thinking on vegetation structure, its origins in climate patterns, and its implications for the arts. Written for both a literary and a scientific audience, Views of Nature was translated into English (twice), Spanish, and French in the nineteenth century, and it was read widely in Europe and the Americas. But in contrast to many of Humboldt’s more technical works, Views of Nature has been unavailable in English for more than one hundred years. Largely neglected in the United States during the twentieth century, Humboldt’s contributions to the humanities and the sciences are now undergoing a revival to which this new translation will be a critical contribution.

Creating A Physical Biology

Author : Phillip R. Sloan
ISBN : 9780226767826
Genre : Science
File Size : 45. 81 MB
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In 1935 geneticist Nikolai Timoféeff-Ressovsky, radiation physicist Karl G. Zimmer, and quantum physicist Max Delbrück published “On the Nature of Gene Mutation and Gene Structure,” known subsequently as the “Three-Man Paper.” This seminal paper advanced work on the physical exploration of the structure of the gene through radiation physics and suggested ways in which physics could reveal definite information about gene structure, mutation, and action. Representing a new level of collaboration between physics and biology, it played an important role in the birth of the new field of molecular biology. The paper’s results were popularized for a wide audience in the What is Life? lectures of physicist Erwin Schrödinger in 1944. Despite its historical impact on the biological sciences, the paper has remained largely inaccessible because it was only published in a short-lived German periodical. Creating a Physical Biology makes the Three Man Paper available in English for the first time. Brandon Fogel’s translation is accompanied by an introductory essay by Fogel and Phillip Sloan and a set of essays by leading historians and philosophers of biology that explore the context, contents, and subsequent influence of the paper, as well as its importance for the wider philosophical analysis of biological reductionism.

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