parallel presents the art of pierre huyghe

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Parallel Presents

Author : Amelia Barikin
ISBN : 9780262017800
Genre : Art
File Size : 55. 73 MB
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Over the past two decades, French artist Pierre Huyghe has produced an extraordinarybody of work in constant dialogue with temporality. Investigating the possibility of a hypotheticalmode of timekeeping--"parallel presents"-- Huyghe has researched the architecture of theincomplete, directed a puppet opera, founded a temporary school, established a pirate televisionstation, staged celebrations, scripted scenarios, and journeyed to Antarctica in search of amythological penguin. In this first book-length art historical examination of Huyghe and his work,Amelia Barikin traces the artist's continual negotiation with the time codes of contemporarysociety. Offering detailed analyses of Huyghe's works and drawing on extensive interviews withHuyghe and his associates, Barikin finds in Huyghe's projects an alternate way of thinking abouthistory--a "topological historicity" that deprograms (or reprograms) temporal formats.Huyghe once said, "It is through the montage, the way we combine and relate images, that we cancreate a representation of an event that is perhaps more precise than the event itself."Barikinoffers pioneering analyses of Huyghe's lesser-known early works as well as sustained readings oflater, critically acclaimed projects, including No Ghost Just a Shell (2000),L'Expédition scintillante (2002), and A Journey That Wasn't(2005). She emphasizes Huyghe's concepts of "freed time" and "the openpresent," in which anything might happen. Bringing together an eclectic array of subjects andcharacters--from moon walking to situationist practices, from Snow White to Gilles Deleuze--Parallel Presents offers a highly original account of the driving forces behindHuyghe's work

Rumour And Radiation

Author : Paul Hegarty
ISBN : 9781623566685
Genre : Music
File Size : 25. 81 MB
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This is a book about video art, and about sound art. The thesis is that sound first entered the gallery via the video art of the 1960s and in so doing, created an unexpected noise. The early part of the book looks at this formative period and the key figures within it - then jumps to the mid-1990s, when video art has become such a major part of contemporary art production, it no longer seems an autonomous form. Paul Hegarty considers the work of a range of artists (including Steve McQueen, Christian Marclay, Ryan Trecartin, and Jane and Louise Wilson), proposing different theories according to the particular strategy of the artist under discussion. Connecting them all are the twinned ideas of intermedia and synaesthesia. Hegarty offers close readings of video works, as influenced by their sound, while also considering the institutional and material contexts. Applying contemporary sound theory to the world of video art, Paul Hegarty offers an entirely fresh perspective on the interactions between sound, sound art, and the visual.

Art In The Time Of Colony

Author : Dr Khadija von Zinnenburg Carroll
ISBN : 9781409455967
Genre : History
File Size : 50. 57 MB
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It is often assumed that the verbal and visual languages of indigenous people had little influence upon the classification of scientific, legal, and artistic objects in the metropolises and museums of nineteenth-century colonial powers. However, as this book demonstrates, it is a fallacy that colonized locals merely collected material for interested colonizers. Through an analysis of particular language notations and drawings hidden in colonial documents and a reexamination of cross-cultural communication, the book writes biographies for five objects that exemplify the tensions of nineteenth century history.

Proxemics

Author : Liam Gillick
ISBN : UOM:39015068822652
Genre : Art
File Size : 31. 11 MB
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Critical essays by Liam Gillick, most of which were originally printed in art magazines or exhibition catalogues. Known for his ingenious reinterpretation of Conceptual and Minimalist art, Liam Gillick has often used language, whether in type on a wall or on a page, as a site of artistic, theoretical, and political intervention. He was active in the largely European 1990s art scene that included Philippe Parreno, Pierre Huyghe, Carsten H. ller, Angela Bulloch, Douglas Gordon, and Rirkrit Tiravanija. The book also examines the recently renewed interest in Felix Gonzalez-Torres, John Baldessari, and Allen Ruppersberg.

Artificial Hells

Author : Claire Bishop
ISBN : 9781844677962
Genre : Art
File Size : 36. 74 MB
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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.

Dreamlands

Author : Chrissie Iles
ISBN : 9780300221879
Genre : Art and motion pictures
File Size : 20. 85 MB
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A fascinating survey of pioneering work in experimental cinema and art from 1905 to the present day, revealing the high stakes and transformative potential of these forms This generously illustrated publication surveys the work of filmmakers and artists who have pushed the material and conceptual boundaries of cinema. Over the past century, the material, optical, abstract, spatial, and tactile properties of film have been tested at a level of experimentation and utopian ambition that is generally unrecognized. Whether creating synesthetic or 3-D environments, projective or non-projective installations, generations of leading-edge artists have explored how technology transforms experience. The essays published here offer an intensive look at the themes of cinematic space, formats of the screen, animation and CGI, the body and the cyborg, and the materiality of film. Contributors place particular emphasis on the idea of the cinema as a sensorium and on the ways in which it defines the human body, both through representation and in relation to the projected image. An immersive plate section brings together rarely seen and previously unpublished stills, in addition to concept drawings from historic and contemporary films.

Bad New Days

Author : Hal Foster
ISBN : 9781784781460
Genre : Art
File Size : 65. 32 MB
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One of the world’s leading art theorists dissects a quarter century of artistic practice Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror. Considering the work of artists such as Thomas Hirschhorn, Tacita Dean, and Isa Genzken, and the writing of thinkers like Jacques Rancière, Bruno Latour, and Giorgio Agamben, Hal Foster shows the ways in which art has anticipated this condition, at times resisting the collapse of the social contract or gesturing toward its repair; at other times burlesquing it. Against the claim that art making has become so heterogeneous as to defy historical analysis, Foster argues that the critic must still articulate a clear account of the contemporary in all its complexity. To that end, he offers several paradigms for the art of recent years, which he terms “abject,” “archival,” “mimetic,” and “precarious.”

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