matt lerouge stop losses

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Stop Losses

Author : Matt LeRouge
ISBN : 1490489274
Genre :
File Size : 27. 42 MB
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An invaluable guide on HOW TO STOP YOUR TRADING LOSSESWhether you're just starting out or you're a seasoned trader, this set of concise rules, explanations, examples, and solutions will serve as both vital warnings and reminders to guard against the myriad pitfalls facing every trader.

The British Numismatic Journal

Author :
ISBN : OSU:32435068084599
Genre : Numismatics
File Size : 50. 43 MB
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An Arab Melancholia

Author : Abdellah Taa̐
ISBN : 9781584351115
Genre : Fiction
File Size : 76. 9 MB
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Salé, near Rabat. The mid 1980s. A lower-class teenager is running after his dream to become a movie director. Running is the only way he can stand up to the violence that is his Morocco. This autobiographical novel traces the emergence of Taïa's identity as an openly gay Arab man living between cultures, creating a new world where the self is effaced by desire and love, and writing is always an act of discovery.

Sepulchre

Author : Kate Mosse
ISBN : 0752893440
Genre : Carcassonne (France)
File Size : 56. 33 MB
Format : PDF
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1891. Seventeen-year-old Léonie Vernier and her brother abandon Paris for the sanctuary of their aunt's isolated country house near Carcassonne, the Domaine de la Cade. But Léonie stumbles across a ruined sepulchre - and a timeless mystery whose traces are written in blood. 2007. Meredith Martin arrives at the Domaine de la Cade to research a biography. But Meredith is also seeking the key to her own complex legacy and becomes immersed in the story of a tragic love, a missing girl, a unique deck of tarot cards and the strange events of one cataclysmic night a century ago...

A History Of The French New Wave Cinema

Author : Richard Neupert
ISBN : 9780299217037
Genre : Performing Arts
File Size : 86. 96 MB
Format : PDF
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The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc Godard—who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.

Today Is The Last Day Of The Rest Of Your Life

Author : Ulli Lust
ISBN : 9781606995570
Genre : Comics & Graphic Novels
File Size : 47. 23 MB
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Back in 1984, a rebellious,17-year-old, punked-out Ulli Lust set out for a wild hitchhiking trip across Italy, from Naples through Verona and Rome and ending up in Sicily. Twenty-five years later, this talented Austrian cartoonist has looked back at that tumultuous summer and delivered a long, dense, sensitive,and minutely observed autobiographical masterpiece.

Origins Of Futuristic Fiction

Author : Paul Kent Alkon
ISBN : 082030932X
Genre : Literary Criticism
File Size : 53. 77 MB
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For nearly two thousand years, the future was a realm reserved for prophets, poets, astrologers, and practitioners of deliberative rhetoric. Then in 1659 the French writer Jacques Guttin published his romance Epigone, which carried the subtitle "the history of the future century." Unlike the stories of space travel that were popular at the time, or the tales of travel to distant earthly lands which had long been a familiar literary genre, Guttin's romance described human societies displaced by time as well as by space and heroes not of his own day but of a future age. Paul Alkon's Origins of Futuristic Fiction examines the earliest works of prose fiction set in future time, the forgotten writings of the seventeenth, eighteenth, and nineteenth centuries that are the precursors of such well-known masterpieces of the form as H.G. Wells's The Time Machine, Aldous Huxley's Brave New World, and George Orwell's 1984. The first secular story to break the imaginative barrier against tales of the future, Epigone marked the emergence of a form unknown to classical, medieval, or renaissance literature. Guttin's courageous displacement of narrative into future time was followed by writers such as Samuel Madden, Louis-Sebastien Mercier, Cousin de Granville, Mary Shelley, and Emile Souvestre, who wrote books with such titles as Memoirs of the Twentieth Century, The Year 2440, The Last Man, and The World As It Will Be. Most extraordinary, though, may be Felix Bodin's great metafictional Le roman de l'avenir, "the novel of the future." Both a narrative of the future and a poetics of the new genre, this book identified in the previous isolated works set in future time a situation rarely encountered in literary history, in which the possibility for a new form clearly existed without yet being altogether achieved. In the introduction to his uncompleted novel, Bodin presented his vision of the futuristic novel as a literature of realism, morality, and fantasy. His remarkably astute attempt to define the aesthetics of a major transformation in the relation between literature and time still stands as the basis for the poetics of futuristic fiction. Tracing the early literary history of what became a major form of modern fiction, Origins of Futuristic Fiction examines the key works of the earliest writers of the genre not for what they betray of past expectations but for what they reveal about the formal problems that needed to be resolved before tales of the future could achieve their full power in the works of later novelists.

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