ghostly apparitions german idealism the gothic novel and optical media

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Ghostly Apparitions

Author : Stefan Andriopoulos
ISBN : 9781935408352
Genre : History
File Size : 63. 83 MB
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A media archaeology that traces connections between new media technologies and distinct cultural realms, considering topics that range from Kant's philosophy to somnambulist clairvoyants.

Ghostly Apparitions

Author : Stefan Andriopoulos
ISBN : 9781935408628
Genre : Literary Criticism
File Size : 53. 86 MB
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Drawing together literature, media, and philosophy, Ghostly Apparitions provides a new model for media archaeology. Stefan Andriopoulos examines the relationships between new media technologies and distinct cultural realms, tracing connections between Kant's philosophy and the magic lantern's phantasmagoria, the Gothic novel and print culture, and spiritualist research and the invention of television. As Kant was writing about the possibility of spiritual apparitions, the emerging medium of the phantasmagoria used hidden magic lanterns to terrify audiences with ghostly projections. Andriopoulos juxtaposes the philosophical arguments of German idealism with contemporaneous occultism and ghost shows. In close readings of Kant, Hegel, and Schopenhauer, he traces the diverging ways in which these authors appropriate optical media effects and spiritualist notions. The spectral apparitions from this period also intersect with an exploding print market and the rise of immersive reading practices. Andriopoulos explores the circulation of ostensibly genuine ghost narratives and Gothic fiction, which was said to produce "reading addiction" and a loss of reality. Romantic representations of animal magnetism and clairvoyance similarly blurred the boundary between fiction and reality. In the 1840s, Edgar Allan Poe adapted a German case history that described a magnetic clairvoyant as arrested in the moment of dying. Yet even though Poe's tale belonged to the realm of literary fiction, it was reprinted as an authentic news item. Andriopoulos extends this archaeology of new media into the early twentieth century. Tracing a reciprocal interaction between occultism and engineering, he reveals how spiritualist research into the psychic "television" of somnambulist clairvoyants enabled the concurrent emergence of the technical medium.

Ghostly Apparitions

Author : Stefan Andriopoulos
ISBN : 1935408615
Genre : History
File Size : 42. 65 MB
Format : PDF
Download : 989
Read : 301

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Drawing together literature, media, and philosophy, Ghostly Apparitions provides a new model for media archaeology. Stefan Andriopoulos examines the relationships between new media technologies and distinct cultural realms, tracing connections between Kant's philosophy and the magic lantern's phantasmagoria, the Gothic novel and print culture, and spiritualist research and the invention of television. As Kant was writing about the possibility of spiritual apparitions, the emerging medium of the phantasmagoria used hidden magic lanterns to terrify audiences with ghostly projections. Andriopoulos juxtaposes the philosophical arguments of German idealism with contemporaneous occultism and ghost shows. In close readings of Kant, Hegel, and Schopenhauer, he traces the diverging ways in which these authors appropriate optical media effects and spiritualist notions. The spectral apparitions from this period also intersect with an exploding print market and the rise of immersive reading practices. Andriopoulos explores the circulation of ostensibly genuine ghost narratives and Gothic fiction, which was said to produce "reading addiction" and a loss of reality. Romantic representations of animal magnetism and clairvoyance similarly blurred the boundary between fiction and reality. In the 1840s, Edgar Allan Poe adapted a German case history that described a magnetic clairvoyant as arrested in the moment of dying. Yet even though Poe's tale belonged to the realm of literary fiction, it was reprinted as an authentic news item. Andriopoulos extends this archaeology of new media into the early twentieth century. Tracing a reciprocal interaction between occultism and engineering, he reveals how spiritualist research into the psychic "television" of somnambulist clairvoyants enabled the concurrent emergence of the technical medium.

Popular Revenants

Author : Andrew Cusack
ISBN : 9781571135193
Genre : Literary Criticism
File Size : 81. 98 MB
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The first book in English on the German Gothic in over thirty years, consisting of new essays investigating the internationality of the Gothic mode.

Anton Reiser

Author : Karl Philipp Moritz
ISBN : 0140446095
Genre : Literary Criticism
File Size : 40. 5 MB
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Called a 'biography' by Moritz, this book is autobiographical. It is also a searching psychological and religious discourse, describing Moritz's spiritual journey and his struggle to move beyond the narrow Pietistic world of his youth

New Philosophy For New Media

Author : Mark B. N. Hansen
ISBN : 0262083213
Genre : Philosophy
File Size : 74. 21 MB
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An in-depth account for how the information in digital art is filtered by the body to create images focuses on new media artists--including Jeffrey Shaw, Douglas Gordon, and Bill Viola--and explores the bodily basis of vision.

Optical Media

Author : Friedrich Kittler
ISBN : 9780745640914
Genre : History
File Size : 49. 96 MB
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Friedrich Kittler's lecture series provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics. He begins by looking at European painting since the Renaissance in order to discern the principles according to which modern optical perception was organised. Kittler also discusses the development of various mechanical devices, like the camera obscura and the laterna magica, which were closely connected to the printing press and which played a pivotal role in the media war between the Reformation and the Counterreformation. After examining this history, Kittler then addresses the ways in which images were first stored and made to move through the development of photography and film. Kittler discusses the competitive relationship between photography and painting as well as between film and theater, as innovations like the Baroque proscenium or "picture-frame" stage evolved from elements that would later constitute cinema. The central question, however, is the impact of film on the ancient monopoly of writing, as it not only provoked new forms of competition for novelists but also fundamentally altered the status of books. In the final section, Kittler examines the development of electrical telecommunications and electronic image processing from television to computer simulations. In short, these lectures provide a comprehensive introduction to the history of image production, which is indispensable for anyone wishing to understand the prevailing audiovisual conditions of contemporary culture.

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