contemporary architecture in china school building

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Baiziwan District Middle School

Author : Austin Williams
ISBN :
Genre : Architecture
File Size : 32. 46 MB
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Given the unprecedented opportunities that architects have been given to build in China since the turn of the century, it is surprising that we should focus on a modest middle school in the suburbs of Beijing Yet, as Austin Williams explains, the Chinese firm Atelier Fronti have tried with Baiziwan Middle School to make architecture relevant in a process which has very little regard for it. The Greatest Buildings of the 21st Century series is not simply an attempt to celebrate the best in contemporary architecture although it is very much that. It is also a platform for architectural critics to explore in depth their craft through a building they admire. It asks one obvious question, "what is a great building?"but poses another more a complex one: "how should architecture be judged?"

Contemporary Architecture In China

Author : Christian Dubrau
ISBN : 3869221208
Genre : Architecture
File Size : 40. 66 MB
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When many of us think about architecture in China it is usually the overpowering presence of leading Western architects responsible for large city projects that spring to mind. Be that as it may, Chinese architecture is undergoing a startling and massive upsurge. This book presents selected projects of several of the young architectural practices from the Middle Empire. They all hold their own very well alongside the large foreign firms and are making their own contribution to the creation of a modern China. The volume also contains a selection of projects from German architecture agencies which have successfully taken steps in the direction of the East. With the inclusion of a critical essay on the current state of Chinese architecture this title is a refreshing and informed survey.

Chinese Architecture And The Beaux Arts

Author : Jeffrey W. Cody
ISBN : 0824834569
Genre : Architecture
File Size : 75. 27 MB
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In the early twentieth century, Chinese traditional architecture and the French-derived methods of the Ecole des Beaux-Arts converged in the United States when Chinese students were given scholarships to train as architects at American universities whose design curricula were dominated by Beaux-Arts methods. Upon their return home in the 1920s and 1930s, these graduates began to practice architecture and create China's first architectural schools, often transferring a version of what they had learned in the U.S. to Chinese situations. The resulting complex series of design-related transplantations had major implications for China between 1911 and 1949, as it simultaneously underwent cataclysmic social, economic, and political changes. After 1949 and the founding of the People's Republic, China experienced a radically different wave of influence from the Beaux-Arts through advisors from the Soviet Union who, first under Stalin and later Khrushchev, brought Beaux-Arts ideals in the guise of socialist progress. In the early twenty-first century, China is still feeling the effects of these events. Chinese Architecture and the Beaux-Arts examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today---many of which have global ramifications. This stimulating and generously illustrated work is divided into three sections, framed by an introduction and a postscript. The first focuses on the convergence of Chinese architecture and the Ecole des Beaux-Arts, outlining the salient aspects of each and suggesting how and why the two "met" in the U.S. The second section centers on the question of how Chinese architects were influenced by the Beaux-Arts and how Chinese architecture was changed as a result. The third takes an even closer look at the Beaux-Arts influence, addressing how innovative practices, new schools of architecture, and buildings whose designs were linked to Beaux-Arts assumptions led to distinctive new paradigms that were rooted in a changing China. By virtue of its scope, scale, and scholarship, this volume promises to become a classic in the fields of Chinese and Western architectural history.

Constructing A Place Of Critical Architecture In China

Author : Guanghui Ding
ISBN : 9781317161585
Genre : Architecture
File Size : 26. 9 MB
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For the past 30 years, The Chinese journal Time + Architecture (Shidai Jianzhu) has focused on publishing innovative and exploratory work by emerging architects based in private design firms who were committed to new material, theoretical and pedagogical practices. In doing so, this book argues that the journal has engaged in the presentation and production of a particular form of critical architecture - described as an ’intermediate criticality’ - as a response to the particular constraints of the Chinese cultural and political context. The journal’s publications displayed a ’dual critique’ - a resistant attitude to the dominant modes of commercial building practice, characterised by rapid and large-scale urban expansion, and an alternative publishing practice focusing on emerging, independent architectural practitioners through the active integration of theoretical debates, architectural projects, and criticisms. This dual critique is illustrated through a careful review and analysis of the history and programme of the journal. By showing how the work of emerging architects, including Yung Ho Chang, Wang Shu, Liu Jiakun and Urbanus, are situated within the context of the journal’s special thematic editions on experimental architecture, exhibition, group design, new urban space and professional system, the book assesses the contribution the journal has made to the emergence of a critical architecture in China, in the context of how it was articulated, debated, presented and perhaps even ’produced’ within the pages of the publication itself. The protagonists of critical architecture have endeavoured to construct an alternative mode of form and space with strong aesthetic and socio-political implications to the predominant production of architecture under the current Chinese socialist market economy. To rebel against certain forms of domination and suppression by capital and power is by no means to completely reject them; rather, it is to use thos

On The Edge

Author : Ian Luna
ISBN : UCSD:31822034785295
Genre : Architecture
File Size : 38. 17 MB
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An English-language critical anthology on new architecture in China traces the development and maturation of the movement's approach to modern design and urbanism, in a volume that focuses on the work of ten rising firms based in mainland China, Hong Kong, and Taiwan.

China

Author : Evan Chakroff
ISBN : 3869223480
Genre : Architecture
File Size : 74. 59 MB
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In an era of accelerating population growth, mass urbanisation, and increasing pressure on the natural environment, the megacities of China's eastern seaboard have become a focal point of architectural and urban-design attention. The “reform and opening-up era” has touched China's major cities in different ways, affecting the existing fabric of dynastic capitals, trade hubs, and former European colonies and concessions; this in turn has provided the setting for a range of complex reactions by contemporary architects. The Architectural Guide China provides city-by-city coverage including historic maps and background information on urban form. Building on the authors' years of experience leading architectural study tours, this book is the first comprehensive English-language survey of recent Chinese architecture presented in the form of a travel guide.

A Critical History Of Contemporary Architecture

Author : Elie G. Haddad
ISBN : 9781351962599
Genre : Architecture
File Size : 29. 17 MB
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1960, following as it did the last CIAM meeting, signalled a turning point for the Modern Movement. From then on, architecture was influenced by seminal texts by Aldo Rossi and Robert Venturi, and gave rise to the first revisionary movement following Modernism. Bringing together leading experts in the field, this book provides a comprehensive, critical overview of the developments in architecture from 1960 to 2010. It consists of two parts: the first section providing a presentation of major movements in architecture after 1960, and the second, a geographic survey that covers a wide range of territories around the world. This book not only reflects the different perspectives of its various authors, but also charts a middle course between the 'aesthetic' histories that examine architecture solely in terms of its formal aspects, and the more 'ideological' histories that subject it to a critique that often skirts the discussion of its formal aspects.

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